Poets always sigh with the variability of the climate and weep over it. They are angels who have fallen into the world, with their sensitivity, kindness and innocence, feeling the joys and sorrows of the world.
The gift of nature makes life full of freedom, but it also gives life a tragic color. So the Chinese poet Li Shangyin finally wrote the famous line “Leave the remnant lotus to listen to the rain”. Look, how spectacular this lotus leaf is about to wither!
It was a twilight in late autumn, but the sunset had not yet subsided. The afterglow of the setting sun cast a ray of light into the grass, which seemed warm and full of reverie. On the right side of the screen is a shadow. And in the distance is the vast blue sky and patches of white clouds. You stop and stare, this situation seems familiar.
People are always accustomed to comparison. This is not only due to the weakness of human nature, but more importantly, there are deeper philosophical thinking behind it. People find that things are always in a universal connection, so people invent concepts as a tool to understand the world. More importantly, this relationship embodies such a characteristic: strengthening, weakening, inclusive, complementary, etc.
In my opinion, the pavilion and the blue sky in the picture reflect this subtle relationship: enhancement. But you may have different opinions. This is normal, because everyone sees things differently.
In the Chinese literary tradition, parting is a big poetic motif. Those sentimental poets always take the trouble to create poems about parting. The pavilions and white clouds are the most common images in these poems. It is true that literature is related to people’s production and life and nation, but more essential is related to universal human nature. Therefore, a dialogue about us is possible.
This is an artificial scenery arranged in Fushui Mountain. You may have different opinions about artificial scenery. For in-depth discussions on these topics, we can have a separate chapter for dialogue. But what I want to say is that this kind of artificial scenery is the most typical in Suzhou gardens. It can almost be said that they represent the aesthetic tendency of traditional Chinese gardens like Suzhou gardens.
The pavilion in the distance forms a perspective relationship with the stone in front of you, and the high-light area of the sky and the shadow area under your feet form a contrast of light and dark, which increases the depth of the picture.
Fushui Villa is located in an area of Shanghu Lake in Changshu and is an integral part of Suzhou gardens. On its periphery is a large landform composed of lakes and islands. The lake is vast and blue, becoming one with the deep blue sky.